Clavierists at the Organ in 18th-Century Sweden
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Label: Caprice
Cat No: CAP21928
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 20th March 2020
Contents
Works
Keyboard Concerto in D major, op.3 no.2 (arr. Martin Weyer)Keyboard Concerto in G major, op.4 (arr. Martin Weyer)
Rondo in G major (transcr. Peter van Tour)
Fugues (6) for organ or harpsichord
Sonata in A minor for glass harmonica
Sonata in D major for glass harmonica
Drottingholmmusiken
Artists
Jonas Lundblad (organ)Works
Keyboard Concerto in D major, op.3 no.2 (arr. Martin Weyer)Keyboard Concerto in G major, op.4 (arr. Martin Weyer)
Rondo in G major (transcr. Peter van Tour)
Fugues (6) for organ or harpsichord
Sonata in A minor for glass harmonica
Sonata in D major for glass harmonica
Drottingholmmusiken
Artists
Jonas Lundblad (organ)About
The Organ at Dala-Husby is Sweden’s second-largest preserved eighteenth-century organ, after the famous Cahman organ at Leufsta Bruk. Completed in 1783, it was built by the church’s own organist, Nicolas Söderström (1730–1810). A former apprentice to the prominent organ builders Gren & Strahle in Stockholm, Söderström had received a royal privilege to build his own instruments. Perhaps his personal investment in the project explains why the Husby organ is so unusually splendid for a country church.
Jonas Lundblad is an organist and musicologist. He studied church music in Malmö, Lübeck and Pitea, specializing in organ interpretation. A prolific freelance career performing both as an organ soloist and with choirs and orchestras has taken him to countries across Europe. When choosing repertoire, he looks mainly to the Romantic era and to new music and enjoys delving into the sources to discover unknown or forgotten works. While a student with Hans-Ola Ericsson, he performed the complete works of Olivier Messiaen. Since then, the music and mental landscape of Messiaen have remained one his central influences.
As a researcher at the Department of Musicology at Uppsala University, Lundblad engages with historical musical aesthetics in a variety of ways, exploring connections to both philosophy and theology. A particular interest is German Romanticism, especially the aesthetics of Friedrich Schleiermacher.
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